As I’ve said before, “the question” for classical music (and its genre-melding young offspring) is how do we bring in a younger audience without compromising artistic standards? By younger, I mean under 40. Whether or not you believe there’s a classical-music attendance crisis, it sure wouldn’t hurt to have some people with full heads of non-gray hair joining the rest of us.
Indefatigable super-publicist Gail Wein sent me news of this story about the Toronto Symphony‘s success. Through the success of the orchestra’s tsoundcheck program for young adults, 35% of the TSO audience is now under 35.
35% under 35! Fantastic news. And how have they done it?
- concert schedules that work for young professional audiences
- low-priced tickets for not just students but also those aged 18-35 (23,000 this past season,good seats that can be selected in advance)
- lobby parties after shortened Saturday-night concerts
The entire article is well worth reading–it sure brightened my day. Doesn’t the following sound good?
[G]oing to the symphony has become a normal thing to do for under 35s in Toronto, and has even become a popular date-night activity. Trina Senechal Klinck, 32, began attending the TSO when she started dating her husband, Ben, in 2006.
“It’s the same prices as the movies and it’s more of an outing and it’s cultural. I’m always up for trying new things and the symphony offers things that are compelling to go to — you don’t feel like it’s from the bottom of the barrel. We’ve introduced a lot of our friends to [the TSO].”
I know not everyone (especially among some of my orchestral musician friends) is happy with the idea of post-concert lobby parties. But low-priced ticket programs and a fun atmosphere can obviously help to build a younger audience, and it doesn’t mean you have to dumb down the music.
Doesn’t the younger set want laser light shows and film scores? As it turns out, they don’t.
“If you listen to current bands like Radiohead, Fleet Foxes and Joanna Newsom,” said longtime tsoundchecker Dustin Cohen, 26, “you will see that … young people today continue to crave big-picture themes like love, loss, death and revolution. There’s a unique quality to live classical music. When I’m in the concert hall, watching the orchestra, I’m thinking: ‘I’m going to download this second movement when I get home!’”